Duccio di Buoninsegna
1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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Duccio di Buoninsegna The Holy Woman at the Sepulchre oil painting


The Holy Woman at the Sepulchre
1308-11
Painting ID::  268
Duccio di Buoninsegna
The Holy Woman at the Sepulchre
1308-11
   
   
     

Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew oil painting


The Calling of the Apostles Peter and Andrew
1308-1311 The National Gallery of Art, Washington DC
Painting ID::  269
Duccio di Buoninsegna
The Calling of the Apostles Peter and Andrew
1308-1311 The National Gallery of Art, Washington DC
   
   
     

Duccio di Buoninsegna Temptation on the Mount oil painting


Temptation on the Mount
Frick Collection, New York
Painting ID::  270
Duccio di Buoninsegna
Temptation on the Mount
Frick Collection, New York
   
   
     

Duccio di Buoninsegna Madonna and Child oil painting


Madonna and Child
Pinacoteca, Siena
Painting ID::  271
Duccio di Buoninsegna
Madonna and Child
Pinacoteca, Siena
   
   
     

Duccio di Buoninsegna The Madonna of the Franciscans oil painting


The Madonna of the Franciscans
1287-88 Pinacoteca, Siena
Painting ID::  272
Duccio di Buoninsegna
The Madonna of the Franciscans
1287-88 Pinacoteca, Siena
   
   
     

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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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